Before my tutorial with Gillian I made a list ((not only of things I like) .. in (my) art.) and considering.
Minimalism.
- A book about nothing (current reading) - Mayan numerals
Pattern.
Form.
Why does there have to be meaning? I'm feeling as though I have to create work for an institution, because I always have. I feel like my work has to have meaning - conceptual art.
Spiritual?
Walking.
- Experience
- De´rieve
- Trace
- Psychogeography
Nepal, Everest, Sherpa, Native
Pencil sharpening.
Minimalism.
- A book about nothing (current reading) - Mayan numerals
Pattern.
Form.
Why does there have to be meaning? I'm feeling as though I have to create work for an institution, because I always have. I feel like my work has to have meaning - conceptual art.
Spiritual?
Walking.
- Experience
- De´rieve
- Trace
- Psychogeography
Nepal, Everest, Sherpa, Native
Pencil sharpening.
Making paper.
Book binding.
Selecting things.
TUTORIAL
I often tend to come out of tutorials feeling as though Gillian know's more about my work than I do, I'll go in with an agenda and talk about something else, then come out with a whole new range of ideas, which is great.
Do things need to connect? No
Documentation of work - photography, film, none, text, hand written, trace.
2Dx3D
3Dx4D -> Cross Discipline
Use of 'to hand' material.
- AD HOCism
Humour
Mapping,
- Representational?
- Imagined?
Authenticity, I can lie in/about my work. Who's going to stop me!
- Play with reality.
Flaws and mistakes. Are good.
Work against the expected.
Work with things in the wrong way.
Film of nothing.
MISNAVIGATION
- Glitch
Mistaek - digital, analogue
The Institution.
Falmouth University labelling everything, subtly there, not subtly.
Work than emerges
Not knowing what I'm doing is alright too. Don't worry what it is.
As a passing comment "map your internet history"